book:
Critical Expressivism: Theory and Practice in the Composition Classroom. (Edited with Roseanne Gatto.) Parlor Press and the WAC Clearinghouse. 2015.
(https://wac.colostate.edu/books/perspectives/expressivism/)
(Review: http://www.tandfonline.com/doi/full/10.1080/07350198.2015.1074147)
book chapters:
"Beyond Diet: Veganism as Liberation.” The V Word: Veg(etari)an Arguments in Culture, History, and Practice. Eds. Cristina Hanganu-Bresch and Kristin Kondrlik. Palgrave-Macmillan, 2020.
(https://link.springer.com/book/10.1007/978-3-030-53280-2)
"Re-claiming Composition: A 21st Century Interdisciplinary Imperative." Co-authored with Derek Owens. Writing Changes. Ed. Pegeen Reichert Powell. MLA, 2020.
“Incorporating Anti-speciesism in Social Justice Pedagogy." "Tell Me What to Do": Modeling and Models of Social Justice.” Ed. Neal Lester. MLA, forthcoming 2024.
invited book contribution:
“On Composition and Design.” Exquisite Corpse: Art-based Writing Practices in the Academy. Eds. Natalie Virgintino and Kate Hanzalik. Parlor Press, 2019.
(http://www.parlorpress.com/exquisite)
peer-reviewed articles:
"My Words Would Have Murdered: Sandor Ferenczi, Women's Memoir, and Reparative Reading." PsyArt. Spring 2018. (http://journal.psyart.org/wp-content/uploads/2018/03/PsyArt-2018-Article-3-Roeder.pdf)
"You Have to Confess: Rape and the Politics of Storytelling." The Journal of Feminist Scholarship. Fall 2015. (http://www.jfsonline.org/issue9/pdfs/Roeder.pdf)
“Surprise of Surprises: Virginia Woolf, Mary McCarthy, and the Politics of Female Pleasure.” MP: An On-line Feminist Journal. Summer 2013.
(http://academinist.org/current-issue)
“Albertine Has Left: A Meditation on Mourning.” PsyArt. July 2012.
“That From a Long Way Off Look Like Flies: Lists, Writing Handbooks, and
Heterotopias.” Writing on the Edge. Spring 2012.
“The Longing in the Face of the Lost: Self and Other in the Postmodern Female Sublime.” More Than Thought. Spring 2011.
“American Spaces: New Urbanism's Fascist Rhetoric." Consortium: A Journal of Crossdisciplinary Inquiry. 2011.
chapbooks:
The Golden Age of Diners. rinky dink press, 2020.
(https://rinky-dink-press.square.site/product/seriesseven/5?cs=true)
all the tiny babies of my dreams. Ghost City Press, 2020.
(https://ghostcitypress.com/2020-summer-series/all-the-tiny-babies-of-my-dreams)
panic dance. dancing girl press, 2019.
(https://dulcetshop.myshopify.com/products/panic-dance-tara-roeder)
Every Bird Is A Miracle. (with Arman Safa) DIAGRAM Press, 2019.
(http://www.thediagram.com/nmp/#roedersafa)
(all the things you're not). dancing girl press, 2016.
maritime. Bitterzoet Press, 2016.
poems:
“the afterdark” (La Piccioletta Barca 2020)
"38th Street” (Right Hand Pointing: One Sentence Poems 2019)
“Friday the 13th” (fields 2019)
“excavation redux” (Driftwood Press 2019)
“Invitation to Join the Audubon Society” (Bateau 2018)
“Picking Up The Pieces” and “Compare and Contrast is Not a Valid Genre” (Pretty Owl Poetry 2018)
“the minor gods of the pantheon are tired of being overlooked” (series of 8 poems) (Clockwise Cat 2017)
“ocean poem”; “grass poem”; “sky poem” (Gnarled Oak 2017)
“A Love Without Edges” (Red Flag Poetry 2017)
“In The Absence of Daughter” (HEArt Magazine 2017)
“thaw” (A-Minor Magazine 2017)
“salamander dreams” and “porch creak” (Ink In Thirds 2016)
“Blood and blood and blood” (Poetry WTF?! 2016)
“A Writer’s Reference, Eighth Edition: A Found Poem” (UnLost 2016)
“(all the things we found there)” (The Bombay Gin 2016)
“eucharist” (HOOT 2016)
“four colors” (Sein und Werden 2016)
“mumbling latin” (Crab Fat Literary Magazine 2016)
“lies for a competitive sister” (HOOT 2016)
“i miss your lies” (Epigraph Magazine 2016)
“all the things you're not” (E Ratio 2015)
“cool radishes of light burst” (THRUSH 2015)
“all the tiny babies of my dreams” (Haggard and Halloo 2015)
“bit versus the blues” (Blood Lotus 2013)
flash fiction:
“Crabbe and Goyle As Usual” (Queen Mob’s Teahouse 2020)
“The Local Grizzly Pack” (The Offbeat 2019)
“The Eccleston Sisters Hold a Séance” (A-Minor-Magazine 2019)
“Punching Mr. Tedesco” (Permafrost Magazine 2018)
“Los Angeles Is Burning” (A3 Review 2018)
“The Story of Her Life” (Literary Orphans 2017)
“Never Trust Your Instinct” (3:AM Magazine 2016)
“Bower” (Leopardskin And Limes 2016)
“A Peculiar Grammar” (Five 2 One Magazine 2016)
“Concerned Citizens Who Saw Something And Said Something” (The Higgs Weldon 2016)
“The Female Ornithologists’ Club” (Bateau 2016)
“My Underwater Boyfriend and the Gymnast I Love” (Café Irreal 2016)
“Splinters” (The After Happy Hour Review 2016)
“Saints and Lovers” (Gambling the Aisle 2016)
“Series In Which The Future Reveals Itself In Backwards Spurts” (Otoliths 2016)
“Tango Tuesdays” (Toasted Cheese 2016)
“The Botanists” (Crack The Spine 2016)
“Sleeping Beauty” (Moonsick Magazine 2016)
“Nine Things About Bunting” (Hobart 2016)
“Newhart” (DOGZPLOT 2016)
“The Letter I Never Sent” (Rum Punch Press 2016)
“People Who Have Wronged Me” (Two Serious Ladies 2016)
“One of Our More Serious Poets” (Cheap Pop 2016)
“My Former Lover Mr. Daly” (Cease, Cows 2016)
“Stories You Could Write” (Monkeybicycle 2015)
“Baby Come Back” (Microfiction Monday Magazine 2015)
“In Its Absence Presence Becomes Emptiness” (Postcard Shorts 2015)
“pieces of evidence” (The Journal of Compressed Creative Arts 2015)
“The Big Hotel” (blink/ink 2015)
fiction:
“The Levensons” (2020 Hammond House Anthology)
“Penelope Parker Barnett” (805 Lit+Art 2017)
“Lydia Wakes” (Thrice Fiction 2016)
“A Year Of Oysters” (The Legendary 2016)
“The Bible Thief” (Eunoia Review 2016)
reviews:
Review of Desegregation State: College Writing Programs After the Civil Rights Movement by Annie S. Mendenhall. Utah State University Press, 2022. The African American Review. (Forthcoming)
Review of the desire to meet with the beautiful by India Radfar. Tender Buttons Press, 2003. St. John's University Humanities Review. 2004.
other publications:
“some brief notes towards a feminist anti-speciesism.” Sister Species Solidarity. Volume 1. (2014)
“A Real Freudian Classic: Anticipating the Cliché in Mary McCarthy.” The St. John’s University Humanities Review. (Spring 2005)
current projects:
“Winter in the Gingerbread House.” (Poetry MS under review)
the fabulist deconstructed dream house. (Mixed media collection under review)
Never Trust your Instincts. (Chapbook under review)
"Sitcom Speciesism" (Article in progress)
“Multi-Modality, Design, and Assessment in a Postpedagogical First Year Composition Classroom” (Article in progress)
literary recognitions:
Nominated for a Pushcart Prize by rinky dink press, 2020.
The 2020 Hammond House International Short Story Literary Prize (2nd Place)
Digging Press Chapbook Contest Semi-Finalist, 2020.
DIAGRAM Press Chapbook Contest Finalist, 2018.
Nominated by Gnarled Oak for The Pushcart Prize, 2017.
Keel Chapbook Contest Finalist, 2017.
Nominated by 805 Art+Lit for Best of the Net Anthology, 2017.
Hyacinth Girl Press Chapbook Contest Finalist, 2017.
Selected as Clockwise Cat Magazine’s “Featured Femme,” Oct. 2017.
Bateau Press BOOM Chapbook Contest Finalist, 2016.